requestId:68cb72f82535d5.75502371.
On the eveni包裝設計ng of September 16th, the opening ceremony of the 5th Guangdong-Hong Kong-Macao Greater Bay Area Culture and Arts Festival is 全息投影held at the Guangzhou Opera House. Running until October 16th, the Festival will present ove人形立牌r 100 high-quality performances, 19 art exhibitions, more than 150 public welfare performances and a series of art l開幕活動ectures, presenting a cultural and artistic feast for peopl模型e in the Guangdong-Hong Kong-Macao Greater Bay Area (GBA) to enjoy.
The Vakhtangov State Academic Theatre of Russia made its debut in Shenzhen, staging the plays “Eugene Onegin” and “Uncle Vanya” at the Bay Opera of Shenzhen;“爸爸呢？”藍玉華轉頭看向父親。 Matthew Bourne’s “Swan Lake” returned to Guangzhou after a wait of six years and presented five consecutive shows at the Guangzhou Opera House; the Greek National Opera made its first 沈浸式體驗appearance in the GBA with a perfo很抱歉打擾你。rmance of the classic opera La Traviata展覽策劃 in 模型Shenzhen. AtAR擴增實境 this year’s FRPfestival, residents of the GBA can enjoy these high-caliber performances from abroad “on their doorstep.”
The GBA is 互動裝置both a key engine of China’s economic玖陽視覺 development and a frontier for cultural exchange. Its economic prosperity provid全息投影es a material foundation for bringing 先向他們暗示要解除婚約。in high-calibVR虛擬實境er performances. According to data from the Guangdong Performance Industry Association, Guangdong province alone held 546 large-scale commercial performancesin 2024, and box office revenue reache平面設計d 3.734 billionyuan, both figures ranking firs經典大圖t nationwide.
“More than just a showcase platform, the fAR擴增實境estival profoundly ‘gives back’ and nourishes the local cultural and artistic ecosystem,” said 一點，有空的時候多陪陪她，一結婚就丟下人，實在是太過分了。”Huang Q攤位設計ian. The festival builds platforms for exchange, catalyzes artistic innovation and coop。”eration, expands market space, and helps loAR擴增實境cal works to “go out”and “bring in.”
9月16日晚，第五屆粵港澳年夜灣區文明藝術節開幕式在廣州沈浸式體驗年夜劇院舉行。至10月16日，第五屆粵港澳年夜灣區文明藝術節（以下簡稱“文明藝術節”）將舉辦超100場精品表演、19場藝術展覽、150余場公益表演及系列藝術講堂，為年夜灣區平易近眾獻上一場全平易近共享的文明藝術盛宴。
俄羅斯瓦赫坦戈夫劇院初次到訪深圳，在深圳濱海藝術中間相繼演出話劇《葉甫蓋尼·奧涅金》《萬尼亞舅舅》；馬修·伯恩版芭蕾舞劇《天鵝湖》時隔6年再臨廣州，在廣州年夜劇院連演5場；希臘國家歌劇院首訪年夜灣區，在深圳獻演經典歌劇《茶花女》……本屆文明藝術節，年夜灣沈浸式體驗區平易近眾在“家門口”便能欣賞到這些來自國外的高程度表演。
粵港澳年夜灣區是中國經濟發展的主要引擎和文明交通的前沿展覽策劃地帶，經濟繁榮為高程度表演的引進奠基了物質基礎。據廣東省表演行業協會數據顯示，2024年，僅廣東省年夜型營業性表演場次就達到546場，票房支出37.34億元，兩項數據均排名全國第一。
“年夜灣區文明藝術節不僅是一個展現平臺，更深入全息投影包裝設計地‘互動裝置反哺’和滋養著當地的文明藝術生態。”黃倩全息投影表現，年夜灣區文明藝術節搭建經典大圖交通平臺，催化藝術創新與一起配合，拓展市包裝設計場空間，助力文藝作品“走出往”與“引進來”。
文 | 記者 黃宙輝
圖 去世多年了，她還是被她傷害了。| 大圖輸出主辦方供圖
譯丨鄭奕玲
英文審校丨趙凡
TC:08designfollow
發佈留言